Pilchner Schoustal International has its origins in 1986 when Martin Pilchner began Pilchner Associates. The company had a keen focus on designing and building recording studios and production environments. Martin’s previous background included growing up in the family construction business, and studying electronics which led to working at the local phone company in computer communications. He left that position to play in a touring rock band and began working with other artists as a producer/ engineer. He gained experience in several studios and eventually converted the band tour bus into a mobile recording studio.
About
Our History
In 1983 Martin moved to Toronto to study recording engineering and immediately after graduating in 1985 was asked to teach classes which included computer science, signal processing, digital audio, and acoustics. Martin has continued his teaching efforts and has been the Associate Director of the Audio Production Program at Harris Institute since 1991.
In 1990 Rick Schoustal joined and the company became Pilchner Schoustal. Rick’s background in audio production and engineering as well as business was a natural fit. Rick was key in developing and streamlining the business operations. Rick also being equally adept at digging into any project component as required. Their partnership has now spanned almost three decades.
While continuing to service major clients, and an eye to improving the company’s capabilities, Martin undertook an architecture degree 1991-1995. A strong knowledge of construction, electronics, audio production and architecture are the foundation upon which the Pilchner Schoustal brand has been built.
In 1998 PSI developed Acoustic-X, which was predictive analysis software aimed at optimizing room acoustics for recording studios and listening environments. The software was well received and used by consultants and educations facilities world-wide.
Throughout the new millennium PSI has continued to expand design efforts realizing cutting-edge facilities and servicing a wide range of clients from individuals, corporations and institutions to the entertainment industry elite. The work is frequently featured in trade publications and recognized for industry awards.
Martin and Rick have built a dedicated team at PSI geared to developing, packaging and delivering comprehensive client solutions. Key team members include Ryan Turnbull.
Since the beginning PSI has been driven by passion in their pursuit designing and realizing meaningful acoustic architecture. With now over 30 years of experience and well over 2,500 facilities world-wide to their credit, the enthusiasm in helping clients reach their ambitions has only grown.
Our Reach
Cover Stories
Published Articles
Magazine | Date | Year | Feature |
Mix Magazine | Aug | 2024 | Boi-1da |
Mix Magazine | Jun | 2024 | Songsbury Studios |
Professional Sound | Aug | 2023 | Songsbury Studios |
Mix Magazine | Jun | 2023 | Class of 2023 Strada XR |
Professional Sound | Apr | 2023 | Songsbury Studios |
Professional Sound | Feb | 2023 | Songsbury Studios |
Professional Sound | Apr | 2020 | Hapy Hipi Studios |
Professional Sound | Dec | 2019 | Artscape Daniels Launchpad |
Mix Magazine | Jun | 2019 | Hapy Hipi Studios – Class of 2019 |
TEC Awards | Aug | 2018 | Berkeley Inc. TEC Award Nominations |
Mix Magazine | Jun | 2018 | Berkeley Inc. – Class of 2018 |
Sonic Scoop | May | 2018 | Reservoir: An NYC Studio Takes on a Complex Persona |
Mix Magazine | Dec | 2017 | Mastering Palace – Celebrates 10 Years |
Sonic Scoop | Jun | 2017 | Regal Hearing: Q&A with Dave Kutch of the Mastering Palace |
Mix Magazine | May | 2017 | National Music Centre – Class of 2017 |
TEC Awards | Dec | 2016 | Mau5trap TEC Award Nominations |
Magnetic Magazine | May | 2016 | Mau5trap Completed |
Pulse Radio | May | 2016 | Deadmau5′ New Studio |
Billboard Magazine | Apr | 2016 | Mau5trap Walkthrough |
TEC Awards | Dec | 2015 | Jukasa TEC Award Nominations |
TEC Awards | Dec | 2015 | Beltway TEC Award Nominations |
Mix Magazine | Oct | 2015 | Mastering Palace Adds New Studio |
Mix Magazine | Aug | 2015 | Big Move: Deluxe Toronto |
Mix Magazine | Jul | 2015 | Class of 2015 Jukasa |
Professional Sound | Apr | 2015 | Deluxe Toronto |
NMC.ca | Sep | 2014 | National Music Centre Recording Facility |
TEC Awards | Oct | 2014 | Studio Baumhaus |
Professional Sound | Sep | 2014 | Jukasa |
Mix Magazine | Jun | 2014 | Class of 2014 Studio Baumhaus |
Mix Magazine | Aug | 2013 | Q&A with Martin Pilchner |
Mix Magazine | Jun | 2013 | Class of 2013 Laval Universite |
Professional Sound | Aug | 2012 | Revolution Recording |
Mix Magazine | Jun | 2012 | Class of 2012 Revolution Recorders |
TEC Awards | Oct | 2011 | Revolution Recording |
Mix Magazine | Jul | 2011 | Class of 2011 Sherpa Studios |
Mix Magazine | Jul | 2011 | Class of 2011 Liberty Studios |
AES Journal | Mar | 2011 | Parma Modus Magnus |
AES Bulletin | Jan | 2011 | Parma Modus Magnus |
TEC Awards | Oct | 2009 | Downtown Studios |
Mix Magazine | Jan | 2009 | Downtown Studios |
TEC Awards | Oct | 2007 | Great Divide Studios |
Mix Magazine | Jun | 2007 | Great Divide Studios |
Mix Magazine | Jun | 2007 | Star City Recording Company |
Professional Sound | Oct | 2006 | DNA Studios |
AMA Conference Proceedings | Jun | 2006 | Acoustic Rationalism |
AMA Conference Proceedings | Jun | 2006 | Studio Phenomenology |
Professional Sound | May | 2006 | Yash Raj |
Professional Sound | Feb | 2006 | Saint Claire |
TEC Awards | Oct | 2005 | Saint Claire |
Mix Magazine | Aug | 2005 | Saint Claire |
Mix Magazine | Jun | 2005 | Saint Claire |
Mix Magazine | Jun | 2005 | Joah Caravalho Mastering |
Mix Magazine | Jun | 2005 | Cherry Beach |
Professional Sound | Jun | 2005 | Joah Caravalho Mastering |
Pro Sound Systems | Mar | 2005 | Why Artists Hate Studios |
Mix Magazine | Feb | 2005 | Supersonic |
Mix Magazine | Nov | 2004 | M. Night Shyamalan |
Robb Report (Home Ent) | Sep/Oct | 2004 | Raynault Theatre |
Professional Sound | Oct | 2004 | Cherry Beach |
Mix Magazine | Mar | 2004 | Angel Mountain |
Professional Sound | Oct | 2003 | Angel Mountain |
TEC Awards | Oct | 2003 | Angel Mountain |
Mix Magazine | Sep | 2003 | Angel Mountain |
Mix Magazine | Jun | 2002 | Surround Sound |
Professional Sound | Dec | 2001 | Guillon Theatre |
Mix Magazine | Jun | 2001 | Metropolitan |
Mix Magazine | Jun | 2001 | Phase One |
Mix Magazine | Jun | 2001 | The Post Shop |
Digidesign | Mar | 2001 | Circa Music / Tapeless |
Prosound News | Mar | 2001 | Circa Music / Tapeless |
Mix Magazine | Aug | 2000 | Masterhouse |
Mix Magazine | Dec | 2000 | Masterhouse |
Studio Sound | Dec | 2000 | Metroplolitan |
Studio Sound | Dec | 2000 | Angel Mountain |
Audio Media | Feb | 2000 | Immersion |
Professional Sound | Feb | 2000 | The Post Shop |
Mix Magazine | Jun | 2000 | Descahmps |
Professional Sound | Jun | 2000 | Chalet Studios |
Mix Magazine | Mar | 2000 | Designer’s Finest / Much Music |
Prosound News | Nov | 2000 | Masterhouse |
Surround Professional | Nov | 2000 | Tapeless |
Boradcast Engineering | Sep | 2000 | Deschamps / Much Music |
Hampton Daily Press | Nov | 1999 | C Black Studios |
Recording | Apr | 1998 | Acoustic-X |
Professional Sound | Dec | 1998 | Open Mike |
Voice Coil | Feb | 1998 | Acoustic-X |
AES Bulletin | Jan | 1998 | Acoustic-X |
Electronic Musician | Jan | 1998 | Acoustic-X |
Grammy Magazine | Jul | 1998 | Article |
Mix Magazine | Jun | 1998 | Acoustic-X |
Professional Sound | Jun | 1998 | Acoustic-X |
Audio Media | Sep | 1998 | Surround Monitoring Part Two |
Mix Magazine | Dec | 1997 | Acoustic-X |
Professional Sound | Mar | 1997 | Harris Institute |
Professional Sound | May | 1997 | Metronome |
AES Bulletin | Nov | 1997 | Acoustic-X |
AES Daily | Sep | 1997 | AES |
Professional Sound | Jul | 1996 | Metalworks |
Mix Magazine | Aug | 1995 | Lydian |
Broadcast + Technology | Feb | 1995 | CTV Network |
Professional Sound | Jul | 1995 | Lydian |
Professional Sound | Apr | 1994 | Profile |
Mix Magazine | Dec | 1993 | Room with a View |
Mix Magazine | Nov | 1993 | Metalworks |
Broadcast + Technology | Jul | 1991 | Winfield Sound |
Professional Sound | Jun | 1991 | Studio Design |
Professional Sound | Jul | 1990 | Performance Spaces |
Mix Magazine | Jul | 1989 | Fanshawe College |